My post about hashtag accessibility on Mastodon (and later LinkedIn) got a lot of attention. There were so many replies from people who didn’t know about the accommodation I outlined, who vowed to commit to it. I also learned a lot from folks who weighed in with great insights.
Music is a very significant part of my life. I was a full-time musician for a number of years, with a lot of records and shows under my belt. But more immediately relevant, I’m a music fan. I listen to music all day, every day.
Having an iPhone and a Mac makes for a lot of seamless transitioning between mobile and computer. One of those transitions is with messaging. Text on one device, then move to the other. Everything continues where you left off. It works really well and really fast.
One of the most prominent dark UX patterns is hiding paths to exit doors. Faint unsubscribe links, ambiguous language, and even forcing people to call a phone number to opt-out of digital products. The intention is the same every time: retain customers.
Following is a story about my six-year journey as a drummer in a death metal band you’ve probably never heard of whose collection of recordings is being republished by a record company you also probably haven’t heard of—26 years after we called it quits.
Etymology is a meaningful part of my profession. Especially when working on Information Architecture and information design. It isn’t always a factor when considering language usage, but it does come into play. In any case, for a grammar enthusiast like myself it’s super fun to dive into the etymology of any given word, rabbit holes and all.
The forthcoming MBUX Hyperscreen, via Mercedes-Benz.
Back in 2013 I gave a talk about design usability which included a slide about the then-new Tesla touchscreen dashboard. Everyone was super hyped about how cool it was, but I was there to ruin the party with my criticism about a lack of tactile feedback.
The 2019 U-11 soccer squad, “Solar Eclipses” / Photo: April Castillo
These are my girls. With the help of my skillful coaching partner, I’m trying to prepare them for the 2027 World Cup. And while their silly-putty faces may lead you to believe that we’re the Bad News Bears of soccer (we kind of are) they are complete badasses.
Not all of us are okay. Nor are we prepared to answer the question genuinely. The world is overwhelming in myriad ways. It feels like a betrayal to the pain and suffering felt deep in the soul to reply with “okay, thanks.”