Two weeks ago a small publisher sent me an email about the book I'm writing. They asked what it was about. I responded with a synopsis and a link to the talk I've been giving which is the foundation for it. It’s about exclusivity and biases in design.
While there are many reasons to make a product accessible, the most important is simply because it’s the right thing to do. But you may have a client, team, or boss who doesn’t see the value. It’s absurd that we even have to sell accessibility, but often we do. If this is your world, I got you (complete with resources, below).
One of the biggest complaints I hear about Mastodon is that its local search is unusable. It certainly was. But not anymore. Now it’s quite powerful, if you know the basics. So here’s a primer for you. Because I love Mastodon, you, and good UX.
This is my annual list of records that brought me the most joy during a respective calendar year. 2023 brought the world some really spectacular music. Here is a list of my favorites (18 in total).
My post about hashtag accessibility on Mastodon (and later LinkedIn) got a lot of attention. There were so many replies from people who didn’t know about the accommodation I outlined, who vowed to commit to it. I also learned a lot from folks who weighed in with great insights.
Music is a very significant part of my life. I was a full-time musician for a number of years, with a lot of records and shows under my belt. But more immediately relevant, I’m a music fan. I listen to music all day, every day.
Having an iPhone and a Mac makes for a lot of seamless transitioning between mobile and computer. One of those transitions is with messaging. Text on one device, then move to the other. Everything continues where you left off. It works really well and really fast.
One of the most prominent dark UX patterns is hiding paths to exit doors. Faint unsubscribe links, ambiguous language, and even forcing people to call a phone number to opt-out of digital products. The intention is the same every time: retain customers.
Following is a story about my six-year journey as a drummer in a death metal band you’ve probably never heard of whose collection of recordings is being republished by a record company you also probably haven’t heard of—26 years after we called it quits.